0
Skip to Content
Vivian Ross-Smith
Work
community
About
Contact
CV
Editions
Vivian Ross-Smith
Work
community
About
Contact
CV
Editions
Work
community
About
Contact
CV
Editions
🍦

🍦

DYKE

DYKE

Unfolding ~ Correspondent

Unfolding ~ Correspondent

Swansea Performance Weekend

Swansea Performance Weekend

Natur am Byth, 2024 - 25

Natur am Byth, 2024 - 25

SGÔR

SGÔR

skin on skin

skin on skin

holding place

holding place

chalkface

chalkface

teimladwyedd / feelabilities

teimladwyedd / feelabilities

saturdays at rotherslade (ladies cove)

saturdays at rotherslade (ladies cove)

work for your rest

work for your rest

Red Route

Red Route

transcoding

transcoding

the island is the gallery

the island is the gallery

ways of seeing

ways of seeing

broadcast

broadcast

sender - receiver

sender - receiver

craft conversations

craft conversations

utomhus

utomhus

islandness

islandness

half oot afore i’ da left

half oot afore i’ da left

island works

island works

You’re standing at the edge of The River Usk.

On a particular slope of land where the bank has been trampled down. The grass has given way to dusty mud where gently shaped small stones mark the meeting point of land and water. The brown of earth records the return of bodies toward the rivers’ flow. A human need to meet the passing liquid at the closest point possible - maybe even entering it, dipping fleshy toe into a cooling embrace.

Where I stand on the land, my body is weighted in one place, I am set and steady. My eyes, ,however, are dragged along the waters surface, pulling my internal world somewhere different.

Somewhere out of sight.

Somewhere out of mind?

I imagine stepping into the water, the flow tugging at my leg hairs and enticing me down-stream, coaxing my form along with the current, towards the mouth. Towards the Aber.

It is impossible to be still in a river.

How does that old saying go? You can never step in the same river twice? Rivers offer us constant changing, altering, refreshing, shifting, pulling. It scrolls on and on and on, unfurling, unrolling.

A never ending restlessness.

Why wander with a river?

  • to settle in restlessness

  • to consider stretching as a movement

  • to explore currents, flows, histories, and human + more-than-human communities

  • to look on, through, along, under, over and in

  • to find new perspective on home, community and place

  • to feel the inadequacy and inappropriateness of your want to pin something down

  • to realise that to move and be un-pin-downable is central to queering, and essentlal when attempting to find new ways of looking and listening and understanding and being

  • to know that changing direction is possible

Whilst walking, I dropped my orange, it rolled away, its plump form becoming coated in grit and mud.

I held the swollen, juicy bulbs in my hand and walked to the rivers edge.

Cupped in my hand, I swished the segments in the rivers current before sucking the fruit over my tongue. Water drenched citrus filled my mouth. My Aber. The freshness brought relief to the fleshy softness of my palette. Glands excreting saliva.

I wonder how polluted the river is?

chew

〰️

suck

〰️

taste

〰️

consume

〰️

delicious

〰️

disgusting

〰️

chew 〰️ suck 〰️ taste 〰️ consume 〰️ delicious 〰️ disgusting 〰️ chew 〰️ suck 〰️ taste 〰️ consume 〰️ delicious 〰️ disgusting 〰️

the prospect that we have gotten to an incurable place feels completely overwhelming.

We are encouraged not to doomscroll. it’s bad for our health and head. In this state we stay completely static in our body, still and set, and our eyes dart up and down, up and down, thumb tickling the movement along. Our bodies are set. But our eyes are moving our being to somewhere else.

Somewhere out of sight.

Somewhere in our mind.

This page was made to map my meandering whilst working with Peak Cymru on a series of workshops for Rural Stiwdio + research days relating to The Living Usk.

The workshops

Powered by Squarespace